Post by daniellek on Mar 11, 2009 21:57:44 GMT -5
The thesis of the essay written by Annie Dillard is to stand up for what you believe in or know is right regardless of what anyone else says or thinks. Dillard more eloquently relays her thesis when she says, “Torpid conformity was a kind of sin; it was stupidity itself, the mighty stream against which Mother would never cease to struggle. If you held no minority opinions, or if you failed to risk total ostracism for them daily, the world would be a better place without you.” In Dillard’s last paragraph she ends with an anecdote about her telling her mother how she thought that Eisenhower was going to win the election, while unknowingly about to fall into one of her mother’s traps, about the negativities of bandwagon fallacy. By adding this anecdote Dillard amplifies her thesis about the think-for –yourself mentality, her mother tried to instill her, thus leaving it a lingering thought in her readers’ minds.
Based on what I have come to understand about Annie Dillard’s mother, I’ve concluded that Dillard has a keen ear when it comes to dramatic words and phrases, and the inherent ability to properly, creatively, and whimsically use to English language. Her innate ability to use language also coincides with the fact that as taught by her mother she thinks and speaks her mind despite whatever opposition may come from the majority. Throughout the piece Annie speaks most highly of her mother, in a manner that shows she is grateful for the unorthodox way in which her mother raised her and relays to her audience her mother’s attention-grabbing use of words and phrases.
Dillard efficiently shows how language effects people when she points out the dramatic words and phrases her mother and those around her once used. Colloquial terms such as “Pittsburghisms” have the ability to place people in that; it is a kind of language that represents a certain area and it’s residents. When one says something like, "-the sidewalks are "slippy", or "That's all the farther I could go", depending on how familiar you are with the area you’ll know where the person is from simply based on their use of language, in this case, Pittsburg. Dillard also describes how her mother would say or do things at random, simply to get a reaction. For example, during games of checkers, when she would yell out game rules, or while playing Bridge, when she felt the game had gotten boring, she would toss her cards behind her back, show her hand, or her opponents’ suit. It is obvious that Dillard’s mother loved to use words not only because of the effect they had on people, because she used them at the most extraordinary times, but simply because she loved the drama of the words, the way they sounded, and maybe even the way they made her mouth feel as she was saying them. Dillard points out, at the beginning of her essay how her mother loved to say, “Terwilliger bunts one,” for a multitude of reasons, whether it be to test a microphone or a pen, or even to express an emotion.
Dillard like her mother also uses her words in a way that leave an effect on her audience. Especially, when she speaks about the building of the Tamiami Trial, she says "men stood sunk in muck to their armpits .... They blasted muck with dynamite, cut jungle with machetes; they laid logs, dragged drilling machines, hauled dredges, heaped limestone". This use of diazeugma, which exhibits both tactile and auditory imagery, allow the reader to feel as though they were really there, witnessing the construction of this great feat. Dillard could have easily been vague about the structuring of the Tamiami Trial, but by being specific she amplifies her point, and the effect her mother has linguistically had on her.
Although Dillard’s mother appears be antagonizing at times, Dillard keeps an upbeat and humorous tone nonetheless. She achieves this by introducing the reactions her mother receives when trying to deceive someone, or catch them off guard, for instance when tells Dillard that there is a deer standing in the front hall, simply so she can hear her respond something other than “I know,” or when she jokingly asks the surgeon if she will be able to play the piano after her operation, when she couldn’t play the piano in the first place. By relaying to the audience that her mother’s “victims” never really took her seriously, nor took her jokes in a negative way, she shows that it was really all in good fun.
Surreptitiously, Dillard does not give her mother’s name, and thus adds to the effectiveness of her essay. Dillard has given us so much insight as to what kind person her mother is, that giving her name isn’t necessary, because we already feel like we know her. By not giving her mother’s name, Dillard does not leave her audience wondering, because the mother’s name lends not to the effectiveness of the essay. Her name isn’t what’s important, only her use of words and the effect they have had on the people around her, most significantly Dillard.
Based on what I have come to understand about Annie Dillard’s mother, I’ve concluded that Dillard has a keen ear when it comes to dramatic words and phrases, and the inherent ability to properly, creatively, and whimsically use to English language. Her innate ability to use language also coincides with the fact that as taught by her mother she thinks and speaks her mind despite whatever opposition may come from the majority. Throughout the piece Annie speaks most highly of her mother, in a manner that shows she is grateful for the unorthodox way in which her mother raised her and relays to her audience her mother’s attention-grabbing use of words and phrases.
Dillard efficiently shows how language effects people when she points out the dramatic words and phrases her mother and those around her once used. Colloquial terms such as “Pittsburghisms” have the ability to place people in that; it is a kind of language that represents a certain area and it’s residents. When one says something like, "-the sidewalks are "slippy", or "That's all the farther I could go", depending on how familiar you are with the area you’ll know where the person is from simply based on their use of language, in this case, Pittsburg. Dillard also describes how her mother would say or do things at random, simply to get a reaction. For example, during games of checkers, when she would yell out game rules, or while playing Bridge, when she felt the game had gotten boring, she would toss her cards behind her back, show her hand, or her opponents’ suit. It is obvious that Dillard’s mother loved to use words not only because of the effect they had on people, because she used them at the most extraordinary times, but simply because she loved the drama of the words, the way they sounded, and maybe even the way they made her mouth feel as she was saying them. Dillard points out, at the beginning of her essay how her mother loved to say, “Terwilliger bunts one,” for a multitude of reasons, whether it be to test a microphone or a pen, or even to express an emotion.
Dillard like her mother also uses her words in a way that leave an effect on her audience. Especially, when she speaks about the building of the Tamiami Trial, she says "men stood sunk in muck to their armpits .... They blasted muck with dynamite, cut jungle with machetes; they laid logs, dragged drilling machines, hauled dredges, heaped limestone". This use of diazeugma, which exhibits both tactile and auditory imagery, allow the reader to feel as though they were really there, witnessing the construction of this great feat. Dillard could have easily been vague about the structuring of the Tamiami Trial, but by being specific she amplifies her point, and the effect her mother has linguistically had on her.
Although Dillard’s mother appears be antagonizing at times, Dillard keeps an upbeat and humorous tone nonetheless. She achieves this by introducing the reactions her mother receives when trying to deceive someone, or catch them off guard, for instance when tells Dillard that there is a deer standing in the front hall, simply so she can hear her respond something other than “I know,” or when she jokingly asks the surgeon if she will be able to play the piano after her operation, when she couldn’t play the piano in the first place. By relaying to the audience that her mother’s “victims” never really took her seriously, nor took her jokes in a negative way, she shows that it was really all in good fun.
Surreptitiously, Dillard does not give her mother’s name, and thus adds to the effectiveness of her essay. Dillard has given us so much insight as to what kind person her mother is, that giving her name isn’t necessary, because we already feel like we know her. By not giving her mother’s name, Dillard does not leave her audience wondering, because the mother’s name lends not to the effectiveness of the essay. Her name isn’t what’s important, only her use of words and the effect they have had on the people around her, most significantly Dillard.